The body as frame and projection surface in Gina Pane’s and Pier Paolo Pasolini’s works

نویسندگان

چکیده

Cet article s’attache à la conception du cadre élaborée par Pier Paolo Pasolini et Gina Pane dans leurs œuvres respectives. Il s’agit d’abord d’observer le rôle dispositif de projection genèse leur rapport au cadrage. Entre corps-image plan-tableau, découpages découlent d’une « pensée projective » qui s’observe également en tant que mécanisme psychique. Cette dimension autoréflexive paradigme projectif est ensuite observée travers une étude l’usage, les deux artistes, l’ombre reflet, vitre miroir, mécanismes psychique social, mnémonique transformateur.

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ژورنال

عنوان ژورنال: Images Re-Vues

سال: 2022

ISSN: ['1778-3801']

DOI: https://doi.org/10.4000/imagesrevues.12581